Raag Desh
| |
Raga
|
Desh
|
Thaat
|
Khamaj
|
Samay
|
Late Evening
|
Swaras Used
|
Both Shuddha and Komal Nishad. All other notes are Shuddha.
|
Aaroha : S R m P N S'
Avaroha: S' n D P m G R G 'N S
Other Characteristics
1. Komal Ga is a vivadi, but is used once in a while, usually in tar-saptak.
2. Ma is sometimes used as kan-swar between Sa and Re in aroh.
|
Similar Ragas
|
Film Songs
1. Dil ne kahaa, chupake se, pyaar hua chupake se
2. Door koi gaaye, dhun ye sunaaye
3. Ham tere pyaar mein saara aalam kho baithe
4. Om jai jagadish hare
5. Phir kahin koi phool khila, chaahat na kaho usko
|
Non-Film Songs
1. Chadaria jhini re jhini (Bhajan)
2. Vande maataram (Other)
|
Raag Gaud Malhar
| |
Raga
|
Gaud Malhar
|
Thaat
|
Khamaj
|
Samay
|
Late Evening
|
Swaras Used
|
Both Shuddha and Komal Nishad. All other notes are Shuddha.
|
Aaroha : S RGm R P mPmP DNS'
Avaroha: S' D n P m P m G m R S
Film Songs
1. Garajat barasat saawan aayo re
|
Raag Gawati
| |
Raga
|
Gawati
|
Thaat
|
Khamaj
|
Samay
|
Late Evening
|
Swaras Used
|
All seven swaras are used. Nishad is Komal
|
Raag Gara
| |
Raga
|
Gara
|
Thaat
|
Khamaj
|
Samay
|
Late Evening
|
Swaras Used
|
Both Shuddha and Komal Gandhar, Shuddha and Komal Nishad. All other notes are Shuddha.
|
Aaroha : S G m P D N S'
Avaroha: S' n D P m G R g R S
Film Songs
1. Hamsafar saath apna chhod chale
2. Kabhi khud pe kabhi haalaat pe rona aaya
3. Mohe panghat pe nandlal chher gayo re
4. Tere mere sapne ab ek rang hain
5. Unke khayaal aaye to aate chale gaye
|
Raag Gorakh Kalyan
| |
Raga
|
Gorakh Kalyan
|
Thaat
|
Khamaj
|
Samay
|
Late Evening
|
Swaras Used
|
Nishad is Komal. Gandhar is not used. All other notes are Shuddha.
|
Aaroha : S R m DnD DS'
Avaroha: S' n D PDnD mR S 'n 'D S
Raag Jog
| |
Raga
|
Jog
|
Thaat
|
Khamaj
|
Samay
|
Late Evening
|
Swaras Used
|
Both Shuddha Gandhar and Komal Gandhar, Shuddha Nishad and Komal Nishad. Shuddha Madhyam. Rishabh and Dhaivat are not applied.
|
Aaroha : S R m P D S'
Avaroha: S' n D P D m G S R m G S R 'n 'D 'P 'D S
Raag Jayjaiwanti
| |
Raga
|
Jayjaiwanti
|
Thaat
|
Khamaj
|
Samay
|
Late Evening
|
Swaras Used
|
Both Shuddha and Komal Gandhar, Shuddha and Komal Nishad. All other notes are Shuddha.
|
Aaroha : S R G m P m G m P N S'
Avaroha: S' N D P D m G R R g R S
Film Songs
1. Manmohana bare jhoothe, haar ke haar na maanen
2. Zindagi aaj mere naam se sharmaai hai
|
Raag Jhinjhoti
| |
Raga
|
Jhinjhoti
|
Thaat
|
Khamaj
|
Samay
|
Late Evening
|
Swaras Used
|
Komal Nishad. All other notes are Shuddha.
|
Aaroha : S R m P D S'
Avaroha: S' n D P D m G S R m G S R 'n 'D 'P 'D S
Similar Ragas
Film Songs
|
1. Ghungharoo ki tarah, bajata hi raha hoon main
2. Jaaoon kahaan bataaye dil, duniya bari hai sangdil 3. Mere mehboob tujhe meri muhabbat ki kasam 4. Teri aankhon ke siwa duniya mein rakkha kya hai |
Non-Film Songs
1. Gulon mein rang bhare, baadil-o-bahaar chale (Ghazal)
|
Raag Khamaj
| |
Raga
|
Khamaj
|
Thaat
|
Khamaj
|
Samay
|
Late Evening
|
Swaras Used
|
Both Komal and Shuddha Nishad, all other notes are Shuddha.
|
Aaroha : S G m P D N S'
Avaroha: S' n D P m G RS
Other Characteristics
Performance time is not strictly defined. Can be performed at any time of the day or night.
|
Film Songs
1. Aayo kahaan se ghanashyaam
|
Non-Film Songs
1. Vaishnav jan to taine re kahiye (Bhajan)
2. Mohabbat karne waale kam na honge (Ghazal) |
Raag Kalavati
| |
Raga
|
Kalavati
|
Thaat
|
Khamaj
|
Samay
|
Late Evening
|
Swaras Used
|
Jaati : Audav-Audav; Vaadi : Pancham ; Samvaadi : Shadaj
|
Aaroha : S G P D n D S'
Avaroha: S' n D P G P G S
Other Characteristics
1. When going from Ga to Sa in avaroh, Re is touched as kan-swar.
|
Film Songs
1. Aa ja re mere pyar ke rahi
2. Haaye re wo din kyoun na aayen 3. Hai agar dushman dushman, zamaana ghum nahin
4. Kaahe tarsaaye, jiyara
|
Raag Rageshri
| |
Raga
|
Rageshri
|
Thaat
|
Khamaj
|
Samay
|
Late Evening
|
Swaras Used
|
Komal Nishad. Pancham is not used. Slight use of Shuddha Nishad. All other notes are Shuddha.
|
Aaroha : 'n S G m D n S'
Avaroha: S' n D G m R S
Other Characteristics
1. Shuddh Ni is vivadi, but is often used for aesthetic reasons.
|
Similar Raga’s
Film Songs
|
1. Kaun aaya mere man ke dwaare
2. Muhabbat aisi dharkan hai
|
Non-Film Songs
1. Gulshan gulshan shola-e-gul ki (Ghazal)
|
Raag Saraswati
| |
Raga
|
Saraswati
|
Thaat
|
Khamaj
|
Samay
|
Night
|
Swaras Used
|
Jaati – Shadav-Sampoorna; Vaadi: Pancham; Samvaadi - Rishabh
|
Aaroha: S R G M P D n S' D P S'
Avaroha: S' n D P M G R S
Raag Sorat
| |
Raga
|
Sorat
|
Thaat
|
Khamaj
|
Samay
|
Late Evening
|
Swaras Used
|
Nishad is both Komal and Shuddha. All other notes are Shuddha, though Komal Gandhar is sometimes used.
|
Raag Tilang
| |
Raga
|
Tilang
|
Thaat
|
Khamaj
|
Samay
|
Late Evening
|
Swaras Used
|
Both Shuddha and Komal Nishad. Shuddha Gandhar and Shuddha Madhyam. Rishabh and Dhaivat are not used.
|
Aaroha : S G m P N S'
Avaroha: S' n P m G S
Other Characteristics
1. Re is taken as kan-swar when moving from G to S in the last part of avaroh
|
Film Songs
1. Chhup gaye saare nazaare hoye kya baat ho gayi
2. Chota sa baalama akhiyaan neend udaaye le gayo 3. Itana to yaad hai mujhe, ki unse mulaaqaat huyi 4. Mujhe ai zindagi deewaana kar de 5. rehte the kabhi jinake dil mein ham jaan se bhi 6. Sajna sang kaahe neha lagaaye 7. Yahi armaan lekar aaj apne
Non-Film Songs
|
1. Maine leenho govinda mol maai ri (Bhajan)
2. Ban chale raam raghuraai (Bhajan) |
Raag Tilak Kamod
| |
Raga
|
Tilak Kamod
|
Thaat
|
Khamaj
|
Samay
|
Late Evening
|
Swaras Used
|
All notes are Shuddha. Sometimes a tinge of Komal Nishad is applied.
|
Aaroha : P 'N S R G S R m P N S'
Avaroha: S' N P D m G R G S S
Other Characteristics
1. Though Ni is theoretically required in aroh, aroh is often sung omitting it, i.e., S-R-m-P-S’.
2. Performed during the later part of the prahar.
|
Similar Ragas:
|
Film Songs
1. Dil-e-nadaan tujhe hua kyaa hai
2. Hamane tum ko pyaar kiya hai jitana
3. Tumhaare bin jee na lage ghar mein |
Non-Film Songs
1. Sumiran kar le mere mana, teri beeti umar (Bhajan)
|
No comments:
Post a Comment